Faculty of Dramatic Arts / FILM AND MEDIA / ENGLISH LANGUAGE I

Course:ENGLISH LANGUAGE I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
1996Obavezan122++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / ENGLISH LANGUAGE II

Course:ENGLISH LANGUAGE II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
1998Obavezan222++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / ENGLISH LANGUAGE III

Course:ENGLISH LANGUAGE III/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3006Obavezan322++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / ART HISTORY I

Course:ART HISTORY I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3140Obavezan132++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / ART HISTORY II

Course:ART HISTORY II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3141Obavezan232++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF FILM I

Course:HISTORY OF FILM I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3172Obavezan162+2+0
ProgramsFILM AND MEDIA
Prerequisites /
Aims Acquiring knowledge about the essential stages of the development of film as art.
Learning outcomes After the students pass this exam, they will be able to: • Distinguish the basic historical stages of film development with the social and production circumstances in which films were created until the appearance of sound on film. • Creatively and critically approach the fundamental aesthetic values of film works of art and understand the phenomenon of film, aesthetic ideas, directions and conceptions. • Organise lectures, projection and analysis of films and synthesise acquired knowledge in practice. • Explain the essence of film as a global cultural, artistic and technological phenomenon through the most significant examples from world cinematography. • They participate in debates and, based on acquired knowledge and adopted axiological parameters, recognise and expertly and theoretically articulate the essential values of art film. • Discuss critically the literature in the indicated field. • Define the role and significance of film in the era of global communication and the emergence of new media. • Use basic professional terminology.
Lecturer / Teaching assistantAssistant professor, Jelena Mišeljić (Ph.D.)
MethodologyLectures, screenings and film analysis.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesPreparation and enrolment
I week exercises
II week lecturesThe invention of the cinema: Louis and August Lumiere
II week exercises
III week lecturesEarly narrative cinema: Georges Melies, Edwin S. Porter
III week exercises
IV week lecturesThe development of cinematic language: D. W. Griffith;
IV week exercises
V week lecturesEuropean trends: German expressionism and Scandinavian cinema
V week exercises
VI week lecturesTest 1
VI week exercises
VII week lecturesFrench impressionism and Avant-garde
VII week exercises
VIII week lecturesSoviet cinema in the 1920s
VIII week exercises
IX week lecturesDziga Vertov "Man with the Movie Camera"
IX week exercises
X week lecturesThe late silent era in Hollywood, 1920-1928.
X week exercises
XI week lecturesSlapstick comedy: Charlie Chaplin and Buster Keaton
XI week exercises
XII week lecturesFritz Lang, Erich von Stroheim, Josef von Sternberg
XII week exercises
XIII week lecturesTest 2
XIII week exercises
XIV week lecturesThe introduction of sound
XIV week exercises
XV week lecturesFrench poetic realism and Jean Vigo
XV week exercises
Student workload
Per weekPer semester
6 credits x 40/30=8 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
4 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
8 hour(s) i 0 minuts x 16 =128 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
8 hour(s) i 0 minuts x 2 =16 hour(s) i 0 minuts
Total workload for the subject:
6 x 30=180 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
36 hour(s) i 0 minuts
Workload structure: 128 hour(s) i 0 minuts (cources), 16 hour(s) i 0 minuts (preparation), 36 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF FILM II

Course:HISTORY OF FILM II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3173Obavezan242+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
4 credits x 40/30=5 hours and 20 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
1 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
5 hour(s) i 20 minuts x 16 =85 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
5 hour(s) i 20 minuts x 2 =10 hour(s) i 40 minuts
Total workload for the subject:
4 x 30=120 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
24 hour(s) i 0 minuts
Workload structure: 85 hour(s) i 20 minuts (cources), 10 hour(s) i 40 minuts (preparation), 24 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV CAMERA I

Course:FILM AND TV CAMERA I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3176Obavezan332++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV CAMERA II

Course:FILM AND TV CAMERA II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3177Obavezan432++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF FILM III

Course:HISTORY OF FILM III/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3557Obavezan342+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
4 credits x 40/30=5 hours and 20 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
1 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
5 hour(s) i 20 minuts x 16 =85 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
5 hour(s) i 20 minuts x 2 =10 hour(s) i 40 minuts
Total workload for the subject:
4 x 30=120 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
24 hour(s) i 0 minuts
Workload structure: 85 hour(s) i 20 minuts (cources), 10 hour(s) i 40 minuts (preparation), 24 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF FILM IV

Course:HISTORY OF FILM IV/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3565Obavezan442+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
4 credits x 40/30=5 hours and 20 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
1 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
5 hour(s) i 20 minuts x 16 =85 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
5 hour(s) i 20 minuts x 2 =10 hour(s) i 40 minuts
Total workload for the subject:
4 x 30=120 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
24 hour(s) i 0 minuts
Workload structure: 85 hour(s) i 20 minuts (cources), 10 hour(s) i 40 minuts (preparation), 24 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / ENGLISH LANGUAGE IV

Course:ENGLISH LANGUAGE IV/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
3581Obavezan422++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV SCREENPLAY I

Course:FILM AND TV SCREENPLAY I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
4720Obavezan352+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV SCREENPLAY II

Course:FILM AND TV SCREENPLAY II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
4729Obavezan452+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / PSYCHOLOGY I

Course:PSYCHOLOGY I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
4753Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes After passing the exam in Psychology I, students will be able to: • acquire and learn to apply basic knowledge from Psychology of Art I • apply knowledge and understanding from certain narrower theoretical areas - psychology of creativity. • to look for new, unexpected, unusual and humorous solutions of problems, to deviate from established habits, stereotypes and templates, to not adhere to what already is established, to observe the environment more creatively. • they look for stimulation by themselves and do not react passively to external stimuli. • strengthen the personal motive of actualisation and thereby strengthen their originality and creativity.
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / PSYCHOLOGY II

Course:PSYCHOLOGY II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
4764Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes After passing the exam in Psychology II, students will be able to: • acquire and learn to apply basic knowledge from Psychology of Art II • to perceive and discover hidden elements in the perceptual field with strengthened creative perception, find hidden ones meanings in certain texts, • inventively describe known things and discover new properties in various phenomena of natural and social reality. • freely and spontaneously express expressive, productive, inventive and emergent creativity and thereby achieve flexibility in perception and expression.
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / TV DIRECTING I

Course:TV DIRECTING I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
6793Obavezan552+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / TV DIRECTING II

Course:TV DIRECTING II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
6797Obavezan652+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / CULTURAL MANAGEMENT I

Course:CULTURAL MANAGEMENT I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
7565Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / CULTURAL MANAGEMENT II

Course:CULTURAL MANAGEMENT II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
7566Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO FILM DIRECTING

Course:INTRODUCTION TO FILM DIRECTING/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
8476Obavezan292+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
9 credits x 40/30=12 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
8 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
12 hour(s) i 0 minuts x 16 =192 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
12 hour(s) i 0 minuts x 2 =24 hour(s) i 0 minuts
Total workload for the subject:
9 x 30=270 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
54 hour(s) i 0 minuts
Workload structure: 192 hour(s) i 0 minuts (cources), 24 hour(s) i 0 minuts (preparation), 54 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / MEDIA THEORY I

Course:MEDIA THEORY I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
9160Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / MEDIA THEORY II

Course:MEDIA THEORY II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
9161Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / EDITING I

Course:EDITING I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
9852Obavezan322++0
ProgramsFILM AND MEDIA
Prerequisites /
Aims Students should familiarize themselves with all the basic elements of editing in audiovisual media and use them in planning their student projects.
Learning outcomes After passing the exam in the subject of Editing I, students will be able to recognize and use the basic elements of film language that have emerged through the development of film editing; Understand the principles of the mechanism of attention and film reception, visual perception in film, and interpret all parameters of the frame, and relate them to the principles of film editing; Understand the role of the shot, scene, sequence as the building blocks of a complete film and television work, and interpret them as the fundamentals of audio-visual art grammar; Understand the characteristics of sound and its expressive principles, in relation to the spatial-perceptual logic of the frame in film and television.
Lecturer / Teaching assistantdoc. mr Dusan Vulekovic
MethodologyLectures, practical assignments
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesIntroduction to film and television editing
I week exercises
II week lecturesIntegrated storytelling 1, elements of editing language, analysis of frame elements
II week exercises
III week lecturesIntegrated storytelling 2, homework assignment
III week exercises
IV week lecturesHistory of cinematographic technique, beginnings and development of film editing
IV week exercises
V week lecturesInterpretation of shot parameters
V week exercises
VI week lecturesVisual perception and attention mechanism, image relativity, phi phenomena
VI week exercises
VII week lecturesAnalytical narration - Shot, scene, sequence
VII week exercises
VIII week lecturesMotivation of editing transitions
VIII week exercises
IX week lecturesGrammar of film language and editing
IX week exercises
X week lecturesConcept and structure of film space and time, diegetic space and time
X week exercises
XI week lecturesLine of action and complementary angles
XI week exercises
XII week lecturesBipolar organization of space, eye line
XII week exercises
XIII week lecturesDiegetic continuity
XIII week exercises
XIV week lecturesCamera movement and editing
XIV week exercises
XV week lecturesEditing punctuation 1
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations Students are required to attend lectures, exercises, complete homework assignments, and take exams
Consultations
LiteratureRequired literature: Marko Babac - "Jezik montaže pokretnih slika", A. Dimitrijević "Gladak rez", D. Eridson "Grammar of Film Language" Additional literature: Don Fairservice "Film editing, history, theory and practice - Looking at the invisible", Group of authors: "Lexicon of Film and TV Terms", David A Kuk "History of Film I", Ježi Plaževski - "Language of Film"
Examination methodsParticipation and activities in exercises, workshops, and discussions - 20 points Completion of exercises and seminar work - 30 points (10+20) Final exam - 50 points / TOTAL 100 - passing grade is obtained if the number of points during the semester is 51 or higher.
Special remarksClasses may be conducted in English.
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / EDITING II

Course:EDITING II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
9853Obavezan422++0
ProgramsFILM AND MEDIA
Prerequisites /
Aims Understanding the basic editing articulations
Learning outcomes After passing the exam in the subject of Editing II, students will be able to practically recognize and apply editing articulations within the structure of film time and space; Understand the principles of mechanical transformation of movement; Comprehend the possibilities of editing and justify the influence of its various techniques on the character of film narration; Understand the nature of sound in film and television, as well as practically explain the influence of sound on the overall sound image, through the relationship between the visible and audible in different film and television genres; Explain the historical development, influence, and significance of applied music; Use words as a building element of dialogue, or words as an acoustic material from which dialogue dramaturgy arises in film and television.
Lecturer / Teaching assistantdoc. mr Dusan Vulekovic
MethodologyLectures, homework assignments, consultations
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesCut, types of cuts, principles of smooth cut, editing punctuation 2
I week exercises
II week lecturesMatch cut, Jump cut, L/J cut, smash cut
II week exercises
III week lecturesOff-space
III week exercises
IV week lecturesInsert and cutaway
IV week exercises
V week lecturesRhythm and tempo 1
V week exercises
VI week lecturesOverlapping, underlapping, manipulation of action duration
VI week exercises
VII week lecturesMechanical transformation of movement
VII week exercises
VIII week lecturesHistory of editing, experimental film, and avant-garde
VIII week exercises
IX week lecturesSound dramaturgy, sound design, audiovisual counterpoint
IX week exercises
X week lecturesMusic, diegetic and non-diegetic sound elements
X week exercises
XI week lecturesLinear, parallel, and retrospective editing
XI week exercises
XII week lecturesRetrospective editing, flashbacks and flash forwards
XII week exercises
XIII week lecturesDocumentary film editing 1
XIII week exercises
XIV week lecturesEditing of television formats
XIV week exercises
XV week lecturesEditing in new online/digital media
XV week exercises
Student workloadWeekly: 2 credits x 40/30 = 2 hours and 40 minutes Structure: 2 hours of lectures 0 hours of exercises 0 hours and 40 minutes of individual student work (preparation for laboratory exercises, quizzes, homework) including consultations per semester Teaching and final exam: (2 hours and 40 minutes) x 16 = 42 hours and 40 minutes Necessary preparation before the start of the semester (administration, enrollment, verification): 2 x (2 hours and 40 minutes) = 5 hours and 20 minutes Total workload for the subject: 2 x 30 = 60 hours Additional work for exam preparation in the reexamination period, including taking the reexamination, from 0 to 30 hours. Workload structure: 42 hours and 40 minutes (teaching) + 5 hours and 20 minutes (preparation) + 12 hours (additional work)
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations Students are required to attend lectures, exercises, complete homework assignments, and take quizzes.
Consultations
LiteratureRequired literature: M. Babac - "Jezik montaže pokretnih slika", A. Dimitrijević - "Gladak rez", D. Eridžon - "Grammar of Film Language" Additional literature: Don Fairservice - "Film Editing, History, Theory and Practice - Looking at the Invisible", Group of authors - "Lexicon of Film and TV Terms", David A. Cook - "History of Film II", Walter Murch - "In the Blink of an Eye"
Examination methodsParticipation and activities in exercises, workshops, and discussions - 20 points Completion of exercises and seminar work - 30 points (10+20) Final exam - 50 points / TOTAL 100 - passing grade is obtained if the number of points during the semester is 51 or higher.
Special remarksClasses may be conducted in English.
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF MONTENEGRIN CULTURE I

Course:HISTORY OF MONTENEGRIN CULTURE I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10208Obavezan132++0
ProgramsFILM AND MEDIA
Prerequisites No strings attached
Aims Acquiring basic knowledge and representations from Montenegrin cultural history, recognizing, situating and connecting different cultural concepts that conditioned a certain cultural peculiarity of the Montenegrin area until the end of the Middle Ages and the penetration of Islamic culture.
Learning outcomes After passing the exam, students can: Describe historical circumstances in Montenegro from ancient times to the end of the Middle Ages; recognize the cultural characteristics of different periods in Montenegrin history; Make an overview of the most significant cultural and historical events on Montenegrin soil, including the arrival of Islamic culture; Argumentatively discuss the significance of certain cultural and historical events in Montenegro.
Lecturer / Teaching assistantDr Dalibor Elezović
MethodologyLectures, exercises, seminar papers, consultations, field work.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesTerminological and methodological definition of cultural history, fields of study and interests.
I week exercises
II week lecturesSources for the study of Montenegrin cultural history.
II week exercises
III week lecturesGeography, climate, natural borders and communications of Montenegro in the sphere of cultural history.
III week exercises
IV week lecturesPrehistoric culture on Montenegrin soil.
IV week exercises
V week lecturesThe Montenegrin area in the Old Ages - Illyrian, Greek and Roman cultural models.
V week exercises
VI week lecturesThe beginning of Christian unification and the arrival of Slavs in Montenegrin territory.
VI week exercises
VII week lecturesConsequences of new cultural movements and the spread of literacy.
VII week exercises
VIII week lecturesColloquium
VIII week exercises
IX week lecturesThe first Montenegrin state - Duklja; cultural and artistic characteristics of the Dukla era.
IX week exercises
X week lecturesMonuments of Montenegrin literacy of the Dukljan period; Annals of the Pope of Dukljan. Montenegrin space according to the concept of a new cultural model.
X week exercises
XI week lecturesOrthodox culture of the Byzantine and Rasa type from the end of the 12th to the middle of the 14th century.
XI week exercises
XII week lecturesThe flourishing of Gothic and cultural peculiarities of the Montenegrin area in the era of Balšić Cultural opportunities and real estate of Crnojević, connections with the West
XII week exercises
XIII week lecturesColloquium
XIII week exercises
XIV week lecturesMontenegro in Gutenbergs galaxy - Crnojevićs printing house.
XIV week exercises
XV week lecturesCity life and culture of living in Montenegrin medieval cities. Oriental culture in Montenegro and Islamic monuments.
XV week exercises
Student workloadLessons and final exam: (2 hours and 40 minutes) x 16 = 42 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (2 hours and 40 minutes) = 5 hours and 20 minutes Total workload for the course: 2 x 30 = 60 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 42 hours and 40 minutes (teaching) + 5 hours and 20 minutes (preparation) + 12 hours (additional work)
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations Class attendance and class activity.
ConsultationsDr Dalibor Elezović, FDU, 13-14h
LiteraturePavle Mijović, Artistic Treasure of Montenegro, Belgrade/Titograd 1980; • Pavle Mijović, On the Trail of Ancient Cultures of Montenegro, Titograd 1970; • Pavle Mijović, Cultures of Montenegro, Titograd 1987; • Vojislav Korać, Construction School of Pomorja, Belgrade 1965; • History of Montenegro, Titograd 1967-1970; • Novak Kilibarda, Radoslav Rotković, Milorad Nikčević, History of Montenegrin Literature I–III, Podgorica, 2012; Radoslav Rotković, Short illustrated history of the Montenegrin people, Podgorica, 1997; • Vojislav P. Nikčević, History of the Montenegrin Language I-II, Cetinje, 1993 and 1997; • Radoslav Rotković, Kingdom of Vojislavljević XI-XII centuries, Podgorica, 1999; • Danilo Radojević, Montenegrin literature and tradition, Podgorica, 2012; • Radoje Radojević, Studies and experiments in Montenegrin studies, Podgorica, 2012; • Half a millennium of Crnojević printing house, Zagreb, 1996; • Rajko Vujičić, Medieval architecture and painting of Montenegro, Podgorica, 2007; • Aleksandar Radoman, Studies on Old Montenegrin Literature, Matica, 2015; • Manja Radulović-Vulić, Ancient musical cultures of Montenegro, Cetinje, 2002; • Nikola Racković, Lexicon of Montenegrin culture, Podgorica, 2009. • Adnan Čirgić, Montenegrin language in the past and present, Podgorica, 2011; • Božidar Šekularac, Literacy Development in Montenegro, Cetinje, 2014; • Čedomir Marković, Archeology of Montenegro, Podgorica, 2006.
Examination methodsAttendance and activity in class 5 points; 2 colloquiums of 20 points each; seminar paper – 5 points. Final exam 50 points. A passing grade is obtained if at least 51 points are collected.
Special remarksIt is desirable to hold at least two educational excursions during the semester.
CommentStudents will be introduced to the program at the beginning of the semester.
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF MONTENEGRIN CULTURE II

Course:HISTORY OF MONTENEGRIN CULTURE II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10209Obavezan232++0
ProgramsFILM AND MEDIA
Prerequisites No strings attached
Aims Acquiring basic knowledge and representations from Montenegrin cultural history from the 16th to the 21st century, recognizing, situating and connecting different cultural concepts that conditioned a certain cultural peculiarity of the Montenegrin area.
Learning outcomes After passing the exam, students can: • describe historical circumstances in Montenegro from the end of the Middle Ages to the present day; • recognize the cultural characteristics of different periods in Montenegrin history; • Make an overview of the most significant cultural and historical events on Montenegrin soil from the Renaissance to the contemporary challenges of Montenegrin multiculturalism; • Argumentatively discuss the importance of certain cultural and historical events in Montenegro; • get acquainted with the main trends of Montenegrin culture in the 20th century and acquire basic knowledge from various fields of culture and art, • identify the most important Montenegrin cultural workers and their works.
Lecturer / Teaching assistantDr Dalibor Elezović
MethodologyLectures, exercises, seminar papers, consultations, field work.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesHumanism and renaissance on Montenegrin soil
I week exercises
II week lecturesThe Baroque era in Montenegro
II week exercises
III week lecturesProfane and sacral architecture from the 16th to the 18th century.
III week exercises
IV week lecturesCultural circumstances and specificities of the Petrović era
IV week exercises
V week lecturesEnlightenment and romanticism on the soil of Montenegro
V week exercises
VI week lecturesLife and culture of living in Montenegrin modern settlements and cities
VI week exercises
VII week lecturesCOLLOQUIUM
VII week exercises
VIII week lecturesDevelopment of educational and cultural institutions until 1918
VIII week exercises
IX week lecturesCultural policy in Montenegro in the interwar period
IX week exercises
X week lecturesConstruction of cultural, scientific and educational institutions after 1945.
X week exercises
XI week lecturesMontenegrin socialist realism
XI week exercises
XII week lecturesContemporary Montenegrin culture
XII week exercises
XIII week lecturesCOLLOQUIUM
XIII week exercises
XIV week lecturesCultural colonialism and Montenegrin cultural heritage
XIV week exercises
XV week lecturesDialogues on the identity of Montenegrin culture Challenges and perspectives of Montenegrin multiculturalism in the XXI century
XV week exercises
Student workloadLessons and final exam: (2 hours and 40 minutes) x 16 = 42 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (2 hours and 40 minutes) = 5 hours and 20 minutes Total workload for the course: 2 x 30 = 60 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 42 hours and 40 minutes (teaching) + 5 hours and 20 minutes (preparation) + 12 hours (additional work)
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations Presence instructed
ConsultationsDr DAlibor Elezović, FDU, Wednesday, 13-14h
Literature• Novak Kilibarda, Radoslav Rotković, Milorad Nikčević, History of Montenegrin Literature I–III, Podgorica, 2012; • Dragoje Živković, History of the Montenegrin People I–III, Cetinje, 1989; • Tomaš Marković, History of Education in Montenegro, Belgrade, 1969; • Pavle Mijović, Artistic Treasure of Montenegro, Titograd, 1980; • Radoslav Rotković, Short illustrated history of the Montenegrin people, Podgorica, 1997; • Vojislav P. Nikčević, History of the Montenegrin Language I-II, Cetinje, 1993 and 1997; • Danilo Radojević, Montenegrin literature and tradition, Podgorica, 2012; • Radoje Radojević, Studies and experiments in Montenegrin studies, Podgorica, 2012; • Gojko P. Kastratović, History of Montenegrin Film; • Miloš Milošević, Studies from the literary and cultural past; • Manja Radulović-Vulić, Musical Culture of Montenegro, Podgorica, 2009; • Čedomir Drašković, Studies and experiments on Montenegrin culture, Podgorica, 2011; • Nikola Racković, Lexicon of Montenegrin culture, Podgorica, 2009. • Živko Andrijašević, History of Montenegro, Belgrade, 2015. Ratko Đurović, Theatrical Writings, Podgorica, 2006; • Podgorica, 2009. • Adnan Čirgić, Montenegrin language in the past and present, Podgorica, 2011; • Božidar Šekularac, Literacy Development in Montenegro, Cetinje, 2014; ​
Examination methodsAttendance and activity in class 5 points; 2 colloquiums of 20 points each; seminar paper – 5 points. Final exam 50 points. A passing grade is obtained if at least 51 points are collected.
Special remarksIt is desirable to hold at least two educational excursions during the semester.
CommentStudents will receive additional information about the course at the first lecture
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO FILM LANGUAGE

Course:INTRODUCTION TO FILM LANGUAGE/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10212Obavezan193+4+0
ProgramsFILM AND MEDIA
Prerequisites There are no conditions
Aims Acquaintance of students with the basic concepts of film language and creation of scenarios based on their own ideas.
Learning outcomes After passing the exam in the Basics of Film Writing course, students will be able to: • Understand and master the basic concepts of film language; . They understand the basic dramatic structure and the basics of film dramaturgy; • Create a synopsis, treatment, scenario based on their own idea; • Understand and use software for writing film scripts;
Lecturer / Teaching assistantDoc.mr Jovana Bojović
MethodologyScreenwritting workshop method. Work in progress
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesBasic concepts of the scenario - theme, fable, plot, metaphor, log line
I week exercisesAnalysis of themes, plots, ideas on examples of assigned films
II week lecturesRecognizing the basic concepts of film (frame, sequence, film plan)
II week exercises Analysis of basic film terms on examples of assigned films.
III week lecturesCorrect script formatting, examples
III week exercisesGetting to know screenwriting programs (Celtx, Final draft, Fade in).
IV week lecturesStages in script development.
IV week exercisesAnalysis of the stages of script development on examples of films.
V week lecturesCharacteristics of a movie character;
V week exercisesWriting a biography (characterization of a character).
VI week lecturesFilm situation; From the situation to the story.
VI week exercisesCreation of a film situation based on the proposed ideas.
VII week lecturesFrajtagova piramida; Pojam bazične strukture priče.
VII week exercisesWriting a situation based on Freitags pyramid.
VIII week lecturesFrom idea to synopsis.
VIII week exercisesConsideration of ideas for writing a script for a short film (an idea based on a news story, an idea inspired by literature, and an own idea).
IX week lecturesStoryline - Extended synopsis
IX week exercisesStoryline writing based on your own idea.
X week lecturesThe concept of treatment, analysis based on the proposed films.
X week exercisesWriting a treatment based on a valid idea.
XI week lecturesThe concept of dialogue. The meaning of replicas. Dialogue on film.
XI week exercisesWriting a short dialogue scene.
XII week lecturesThe origin of the term screenplay. Historical development of screenwriting.
XII week exercisesWriting the first hand of the screenplay. Reading and analysis of submitted papers.
XIII week lecturesDescription of the action in the scenario. The relationship between plot and dialogue.
XIII week exercisesSecond hand script writing. Reading and analysis of submitted papers.
XIV week lecturesAnalysis of an example of a film script.
XIV week exercisesThird hand script writing. Reading and analysis of submitted papers.
XV week lecturesThe concept of film analysis. Essay on film.
XV week exercisesWriting an analysis of the assigned film.
Student workloadWeekly 10 credits x 40/30 = 13 hours and 20 minutes Structure: 3 hours of lectures 3 hours of exercises 7 hours and 20 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations In the semester Classes and final exam: (13 hours and 20 minutes) x 16 = 213 hours and 20 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (13 hours and 20 minutes) = 26 hours and 40 minutes Total workload for the course: 10 x 30 = 300 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 213 hours and 20 minutes (teaching) + 26 hours and 40 minutes (preparation) + 30 hours (additional work)
Per weekPer semester
9 credits x 40/30=12 hours and 0 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
5 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
12 hour(s) i 0 minuts x 16 =192 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
12 hour(s) i 0 minuts x 2 =24 hour(s) i 0 minuts
Total workload for the subject:
9 x 30=270 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
54 hour(s) i 0 minuts
Workload structure: 192 hour(s) i 0 minuts (cources), 24 hour(s) i 0 minuts (preparation), 54 hour(s) i 0 minuts (additional work)
Student obligations The student is obliged to listen to lectures and do practical exercises continuously.
ConsultationsEvery week
LiteratureAristotle, On Poetic Art, translated by Miloš N. Đurić, Institute for Textbooks and Teaching Aids, Belgrade, 1988. Imami, Petrit, Feature film dramaturgy, NNK international, NNK, Belgrade, 2012, How to write and sell a screenplay, Tudor Eliad, University of Arts, Belgrade
Examination methodsExercises, homework, final exam.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO FILM PRODUCTION

Course:INTRODUCTION TO FILM PRODUCTION/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10214Obavezan292+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
9 credits x 40/30=12 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
8 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
12 hour(s) i 0 minuts x 16 =192 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
12 hour(s) i 0 minuts x 2 =24 hour(s) i 0 minuts
Total workload for the subject:
9 x 30=270 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
54 hour(s) i 0 minuts
Workload structure: 192 hour(s) i 0 minuts (cources), 24 hour(s) i 0 minuts (preparation), 54 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO FILM PRODUCTION

Course:INTRODUCTION TO FILM PRODUCTION/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10214Obavezan292+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
9 credits x 40/30=12 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
8 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
12 hour(s) i 0 minuts x 16 =192 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
12 hour(s) i 0 minuts x 2 =24 hour(s) i 0 minuts
Total workload for the subject:
9 x 30=270 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
54 hour(s) i 0 minuts
Workload structure: 192 hour(s) i 0 minuts (cources), 24 hour(s) i 0 minuts (preparation), 54 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / PRACTICAL WORK

Course:PRACTICAL WORK/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10611Obavezan32+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
0 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
-2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO THEATRE DIRECTING I

Course:INTRODUCTION TO THEATRE DIRECTING I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10616Izborni322++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO THEATRE DIRECTING II

Course:INTRODUCTION TO THEATRE DIRECTING II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10617Izborni422++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO THEATRE PRODUCTION I

Course:INTRODUCTION TO THEATRE PRODUCTION I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10618Izborni322++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO THEATRE PRODUCTION II

Course:INTRODUCTION TO THEATRE PRODUCTION II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10619Izborni422++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM DIRECTING - SHORT FILM I

Course:FILM DIRECTING - SHORT FILM I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10620Obavezan352+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM DIRECTING - SHORT FILM II

Course:FILM DIRECTING - SHORT FILM II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10621Obavezan452+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM PRODUCTION - SHORT FILM I

Course:FILM PRODUCTION - SHORT FILM I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10622Obavezan352+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM PRODUCTION - SHORT FILM II

Course:FILM PRODUCTION - SHORT FILM II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10623Obavezan452+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / PRACTICAL WORK

Course:PRACTICAL WORK/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
10786Obavezan42+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
0 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
-2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / WORLD LITERATURE I

Course:WORLD LITERATURE I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11024Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims Understanding the masterpieces of foreign literatures from ancient times.
Learning outcomes Upon passing the exam, student will be able to: Understand masterpieces of foreign literatures from ancient time. Compare the situation in various literatures and interpret changes in genre system, topics and literary techniques. Interpret great books of world literature and evaluate them in relation to historical, cultural and comparative context. Systematize knowledge on the evolution of world literature.
Lecturer / Teaching assistantGoran Radonjić
MethodologyLecture, consultation.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesIntroduction. Terms world literature, general literature, comparative literature.
I week exercises
II week lecturesGilgamesh.
II week exercises
III week lecturesThe Bible. The Old Testament.
III week exercises
IV week lecturesThe Book of Job, The Ecclesiastes, The Song of Songs.
IV week exercises
V week lecturesThe New Testament, The Gospel of Matthew.
V week exercises
VI week lecturesHomer. The Iliad.
VI week exercises
VII week lecturesThe Odyssey.
VII week exercises
VIII week lecturesMidterm exam.
VIII week exercises
IX week lecturesAncient Greek poetry. Sappho, Anacreon, Pindar.
IX week exercises
X week lecturesGreek tragedy. Aeschylus, Prometheus Bound.
X week exercises
XI week lecturesSophocles. Oedipus Rex, Antigone.
XI week exercises
XII week lecturesEuripides, Medea.
XII week exercises
XIII week lecturesAristophanes, The Frogs.
XIII week exercises
XIV week lecturesPlato. The Republic. Aristotle, Poetics.
XIV week exercises
XV week lecturesThe Arabian Nights.
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
ConsultationsMonday 15.00-16.00
LiteratureWilfrid J. Harrington, Uvod u Bibliju – Spomen objave. Zagreb: Kršćanska sadašnjost, 1987. Preveo Mato Zovkić. Wilfrid J. Harrington, Uvod u Stari zavjet – Spomen obećanja. Zagreb: Kršćanska sadašnjost, 1993. Preveo Mato Zovkić. Wilfrid J. Harrington, Uvod u Novi zavjet – Spomen ispunjenja. Zagreb: Kršćanska sadašnjost, 1993. Preveo Mato Zovkić. Џон Дрејн. Увођење у Стари завет. Београд: Clio, 2003. Превела Богдана Ђукић. Џон Дрејн. Увођење у Нови завет. Београд: Clio, 2004. Превела Богдана Ђукић. Miloš N. Đurić, Istorija helenske književnosti. Beograd: Dereta, 2011. Јелена Пилиповић. Ка лепоти: еротолошко читање Сапфине поезије. Нови Сад: Академска књига, 2016. Ejdrijan Pul. Tragedija: Sasvim kratak uvod. Beograd: Službeni glasnik, 2011. Preveo Nebojša Marić. Албин Лески. Грчка трагедија. Нови Сад: Светови, 1995. Превео Томислав Бекић. Аница Савић Ребац. Дух хеленства: Претплатонска еротологија. Студије и огледи. Античка естетика и наука о књижевности. Београд: Службени гласник, 2015. Erih Auerbah. Mimesis: prikazivanje stvarnosti u zapadnoj književnosti. Beograd: Nolit, 1968. Preveo Milan Tabaković.
Examination methodsAttendance and participation: 10, midterm exam: 40, final exam: 50.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / WORLD LITERATURE II

Course:WORLD LITERATURE II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11028Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims Understanding the masterpieces of foreign literatures from medieval age through 19th century.
Learning outcomes Upon passing the exam, student will be able to: Understand masterpieces of foreign literatures from medieval times to the end of 19th century. Compare the situation in various literatures and interpret changes in genre system, topics and literary techniques. Interpret great books of world literature and evaluate them in relation to historical, cultural and comparative context. Systematize knowledge on the evolution of world literature.
Lecturer / Teaching assistantGoran Radonjić
MethodologyLecture, consultation.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesDante Alighieri. Inferno.
I week exercises
II week lecturesGiovanni Bocaccio, The Decameron.
II week exercises
III week lecturesFrancesco Petrarca, Canzoniere.
III week exercises
IV week lecturesFrançois Rabelais, Gargantua and Pantagruel (book 1).
IV week exercises
V week lecturesWilliam Shakespeare, Hamlet, Macbeth.
V week exercises
VI week lecturesMiguel de Cervantes, Don Quixote.
VI week exercises
VII week lecturesMidterm exam.
VII week exercises
VIII week lecturesVoltaire, Candide.
VIII week exercises
IX week lecturesPoetics of Romanticism, Eugene Onegin.
IX week exercises
X week lecturesN. V. Gogol, Dead Souls, Overcoat.
X week exercises
XI week lecturesO. de Balzac, Père Goriot.
XI week exercises
XII week lecturesF. M. Dostoyevsky, Crime and Punishment, Brothers Karamazov.
XII week exercises
XIII week lecturesL. N. Tolstoy, Anna Karenina.
XIII week exercises
XIV week lecturesA. P. Chekhov, plays (selection), stories (selection).
XIV week exercises
XV week lecturesBaudelaire, poetry (selection).
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
ConsultationsMonday 15.00-16.00.
LiteratureErih Auerbah. Mimezis: prikazivanje stvarnosti u zapadnoj književnosti. Beograd: Nolit, 1968. Preveo Milan Tabaković. Ernst Robert Kurcijus. Evropska književnost i latinski srednji vek. Beograd: Srpska književna zadruga, 1996. Preveo Josip Babić. Frančesko De Sanktis. Kritički eseji. Beograd: Kultura, 1960. Prevela Vera Bakotić-Mijušković. Frano Čale. Petrarca i petrarkizam. Zagreb: Školska knjiga, 1971. Đulio Feroni. Istorija italijanske književnosti, t. 1. Podgorica: CID, Nikšić: Filozofski fakultet, Beograd: Službeni list SCG, 2005. Jeleazar Meletinski. Istorijska poetika novele. Novi Sad: Matica Srpska, 1996. Prevela Radmila Mečanin. Mihail Bahtin. Stvaralaštvo Fransaoa Rablea i narodna kultura srednjeg veka i renesanse, Beograd, 1978. Mihail Bahtin. O romanu. Beograd: Nolit, 1989. Preveo Aleksandar Badnjarević. Jan Kot. Šekspir naš savremenik. Beograd: Nolit, 1963. Preveo Petar Vujičić. Veselin Kostić. Stvaralaštvo Viljema Šekspira 1, 2. Beograd: Srpska književna zadruga, 1994. Ljiljana Pavlović-Samurović. Don Kihot Migela de Servantesa. Beograd: Zavod za udžbenike i nastavna sredstva, 1982. Veljko Korać. Predgovor Kandidu (više izdanja). Miodrag Sibinović. Evgenije Onjegin Aleksandra Puškina. Beograd: Zavod za udzbenike i nastavna sredstva, 1982. Jurij Man. Poetika N. V. Gogolja, Novi Sad: Izdavačka knjižarnica Zorana Stojanovića, 2017. Preveo Andrij Lavrik. Radivoje Konstantinović. Čiča Gorio i Ljudska komedija, u: Onore de Balzak. Čiča Gorio. Beograd: Zavod za udzbenike, 2009. Prevela Jelisaveta Marković. Mihail Bahtin. Problemi poetike Dostojevskog. Beograd: Zepter Book World, 2000. Prevela Milica Nikolić. Dostojevski, F. M. Legenda o velikom inkvizitoru: tumačenja, Podgorica: CID, Romanov: Banja Luka, 2002. Milosava Stojnić. Ana Karenjina Lava Tolstoja. Beograd: Zavod za udžbenike i nastavna sredstva, 1983. Marsel Rejmon. Od Bodlera do nadrealizma. Sarajevo: „Veselin Masleša“, 1958. Preveo Milenko Vidaković. Hugo Friedrih. Struktura moderne lirike: od Baudelairea do danas. Zagreb: Stvarnost. Preveli: Truda i Ante Stamać. Dragan Nedeljković, Miodrag Radović (ur). Umetnost tumačenja poezije. Beograd: Nolit, 1979. Vesna Elez. O Bodlerovom Cveću zla. Beograd: Univerzitet u Beogradu, Filološki fakultet / Dosije studio, 2020. Čehov - tematski blok objavljen u časopisu III program Radio Beograda, br. 90/91, 1992. Jovan Hristić. Čehov dramski pisac. Beograd: Nolit, 1981.
Examination methodsAttendance and participation: 10, midterm exam: 40, final exam: 50.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / DIGITAL MEDIA AND NEW MEDIA PRODUCTION I

Course:DIGITAL MEDIA AND NEW MEDIA PRODUCTION I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11033Obavezan552+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / DIGITAL MEDIA AND NEW MEDIA PRODUCTION I

Course:DIGITAL MEDIA AND NEW MEDIA PRODUCTION I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11033Obavezan552+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / DIGITAL MEDIA AND NEW MEDIA PRODUCTION II

Course:DIGITAL MEDIA AND NEW MEDIA PRODUCTION II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11034Obavezan652+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF MONTENEGRIN AND YUGOSLAV FILM I

Course:HISTORY OF MONTENEGRIN AND YUGOSLAV FILM I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11038Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / HISTORY OF MONTENEGRIN AND YUGOSLAV FILM II

Course:HISTORY OF MONTENEGRIN AND YUGOSLAV FILM II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11039Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM DIRECTING - PROJECT I

Course:FILM DIRECTING - PROJECT I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11040Obavezan5103+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes After passing the exam in this subject, male and female students will be able to: ● see the basic rules of working with an actor, for example a dialog scene, without filming; ● recognize the basics of the connection between dramaturgical regularities (the structure of a dramatic scene) and working with an actor; ● review the basics of working with an actor in space (mise-en-scène), on the example of a dialogue scene, without filming: character, rhythm, tempo; ● recognize the basics in creating a character: the main concern of the character and the main concern of the actor, on the example of a dialogue scene, without filming; ● use the basic professional terminology of working with an actor; ● recognize the basics of the regularity of working with an actor within the analyzed full-length feature film - from the aspect of theoretical analysis.
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM DIRECTING - PROJECT II

Course:FILM DIRECTING - PROJECT II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11041Obavezan6103+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM PRODUCTION - PROJECT I

Course:FILM PRODUCTION - PROJECT I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11042Obavezan5103+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM PRODUCTION - PROJECT II

Course:FILM PRODUCTION - PROJECT II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11043Obavezan6103+4+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV SCREENPLAY - PROJECT I

Course:FILM AND TV SCREENPLAY - PROJECT I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11044Obavezan5103+4+0
ProgramsFILM AND MEDIA
Prerequisites The course is conditional upon passing the course Basics of Film Writing and Short Film Screenplay I, II
Aims Mastering techniques for writing a one-hour script for a biopic
Learning outcomes Upon completion of this course, the student is expected to be able to independently come up with the concept, structure, biography and characterization of an eye for writing a script for a biographical feature film. The student will be able to understand the context and genre of the biographical film.
Lecturer / Teaching assistantDoc.mr Jovana Bojović
MethodologyScreenwritting workshop, work in progress
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesBiographical film - film genre
I week exercisesExamples of biographical films
II week lecturesBiographical film, Historical film, Documentary biographical film
II week exercises Comparative analysis of fiction and documentary biographical film
III week lecturesBiografical film and fiction
III week exercisesAdoption of ideas for a feature-length one-hour biographical film
IV week lecturesResearch work before writing a synopsis for a biographical film
IV week exercisesA selection of materials and archival material collected for the creation of the script for the biographical film
V week lecturesSynopsis for a biographical film
V week exercisesReading and analyzing a synopsis for a biographical film
VI week lecturesThe storyline of the biographical film
VI week exercisesReading and analyzing a storylibe for a biographical film
VII week lecturesReal and fictional character
VII week exercisesWriting a character biography
VIII week lecturesChronotope of the biographical film
VIII week exercisesConsideration of the chronotope for a biographical film
IX week lecturesBiopic and era
IX week exercisesExperience the films of the era
X week lecturesThe structure of the biographical film
X week exercisesConsideration of the narrative structure of the biographical film
XI week lecturesThe subject of a biographical film
XI week exercisesConsideration of the relevance of the subject of the biographical film for the proposed one-hour screenplay.
XII week lecturesThe idea of a biografical movie
XII week exercisesConsideration of the significance of the biographical film idea for the proposed one-hour scenario.
XIII week lecturesGenre of biographical film
XIII week exercisesConsideration of the biopic genre for the proposed one-hour screenplay.
XIV week lectures Style of biographical film
XIV week exercisesConsideration of the style for the proposed one-hour screenplay.
XV week lecturesComparative analysis of biographical film examples
XV week exercisesReading essays on the subject of a biographical film
Student workloadSunday 10 credits x 40/30 = 13 hours and 20 minutes Structure: 3 hours of lectures 4 hours of exercises 6 hours and 20 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations in the semester Classes and final exam: (13 hours and 20 minutes) x 16 = 213 hours and 20 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (13 hours and 20 minutes) = 26 hours and 40 minutes Total workload for the course: 10 x 30 = 300 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 213 hours and 20 minutes (teaching) + 26 hours and 40 minutes (preparation) + 30 hours (additional work)
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations Attendance at classes; Continuous work on the script.
ConsultationsEvery week
LiteratureScreenplay for Film and Television, Andrew Horton: Characters-The Basis of the Screenplay, Stuart M. Kaminski: Genres of American Film, Robert Mc Kee-Story
Examination methodsEssays, homework, final exam.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / FILM AND TV SCREENPLAY - PROJECT II

Course:FILM AND TV SCREENPLAY - PROJECT II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11045Obavezan6103+4+0
ProgramsFILM AND MEDIA
Prerequisites The course is conditional upon passing the course Scenario Project I
Aims Objectives of studying the subject: familiarization with different TV genres and formats, specifics of writing for different TV genres and formats
Learning outcomes Learning outcomes: After passing the exam in the subject Film and TV script VI, female and male students will be able to: - understand the elements of the biographical film genre - master the technique of script preparation for a TV drama - biographical one-hour film; - master the techniques of writing a biographical film - to write their own script for a one-hour biographical film
Lecturer / Teaching assistantDoc.mr Jovana Bojović
MethodologyScreenwriting workshop; work in progres
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesThe narrative line of the biographical film
I week exercisesWriting scenes for a one-hour biographical film
II week lecturesAnalysis of space in a biographical film
II week exercises Writing treatment for biographical movie
III week lecturesThe dialogue of the film of the epoch
III week exercisesFirst-hand script writing for a biografical movie - Part I
IV week lecturesThe theme and main character of the film
IV week exercisesWriting the first hand script for a biographical film - Part II
V week lecturesThe idea and the main character of the film
V week exercisesSecond-hand script writing for a biopic
VI week lecturesBlake Snjaders Form BS2
VI week exercisesFormulr Blake Snjader BS2 on your own script
VII week lecturesThe central point of the scenario
VII week exercisesMidpoint analysis on a given film
VIII week lecturesA story and B story
VIII week exercisesAnalysis of A and B stories based on their own script
IX week lecturesThe role of supporting characters in a biografical movie
IX week exercisesAnalysis of the function of minor characters in their own script
X week lecturesThe interweaving of genres in a biographical film
X week exercisesConsideration of different genres on your own screenplay
XI week lecturesThe style of the film script - a biographical film
XI week exercisesThe style of a film script based on the example of ones own film
XII week lecturesScript for a biogrfical - marketing strategies
XII week exercisesApplying marketing strategies to your own scenario
XIII week lecturesExam simulation part I
XIII week exercisesReadings of own scripts - Part I
XIV week lecturesExam simulation part II
XIV week exercisesReadings of own scripts - Part II
XV week lecturesExam simulation part III
XV week exercisesReadings of own scripts - Part III
Student workloadweekly 10 credits x 40/30 = 13 hours and 20 minutes Structure: 3 hours of lectures 4 hours of exercises 6 hours and 20 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations in the semester Classes and final exam: (13 hours and 20 minutes) x 16 = 213 hours and 20 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (13 hours and 20 minutes) = 26 hours and 40 minutes Total workload for the course: 10 x 30 = 300 hours Additional work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 213 hours and 20 minutes (teaching) + 26 hours and 40 minutes (preparation) + 30 hours (additional work)
Per weekPer semester
10 credits x 40/30=13 hours and 20 minuts
3 sat(a) theoretical classes
0 sat(a) practical classes
4 excercises
6 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
13 hour(s) i 20 minuts x 16 =213 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
13 hour(s) i 20 minuts x 2 =26 hour(s) i 40 minuts
Total workload for the subject:
10 x 30=300 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
60 hour(s) i 0 minuts
Workload structure: 213 hour(s) i 20 minuts (cources), 26 hour(s) i 40 minuts (preparation), 60 hour(s) i 0 minuts (additional work)
Student obligations Mandatory attendance at lectures, continuous work on scenarios
ConsultationsEvery week
LiteratureStuart M. Kaminsky: The Genres of American Film, Robert Mckee-Story, Blake Snyder: Spy the Cat: The Last Screenwriting Book Youll Need, Fcs; Sid Field: The Screenwriters Handbook
Examination methodsEssays, Continuous review of papers, Final exam
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / CREATIVE WRITING FOR TV FORMATS AND SERIES I

Course:CREATIVE WRITING FOR TV FORMATS AND SERIES I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11046Obavezan552+2+0
ProgramsFILM AND MEDIA
Prerequisites There is no conditionality by passing other subjects
Aims Acquaintance with different TV genres and formats, specifics of writing for different TV genres and formats, conditioned by script template depending on TV genre, format
Learning outcomes After attending classes and passing the exam in the subject Creative writing for TV formats and series, the student will master the skills of writing for TV formats (music video, talk show, documentary TV show, educational program), as well as master the basic postulates of writing a TV series; will gain a clear insight into the differentiation of TV series with a dramatic structure and sitcoms, but also create a pilot episode for a TV series
Lecturer / Teaching assistantDoc. mr Jovana Bojović
MethodologyMethod of screenwriting workshop
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesScreenwriting aspects of TV series through the prism of TV genres
I week exercisesAnalysis of TV genres on given examples
II week lecturesTV genres that require a synopsis, sequence - jacket: news programs
II week exercises Elaboration of thematic and conceptual content of the mentioned TV genres
III week lecturesTV genres that require a synopsis, sequence, treatment - educational, documentary
III week exercisesSubmission of proposals and synopses for series in education, doc. And the informative program
IV week lecturesTV genres in music and entertainment programs - quiz, talk show, show program
IV week exercisesElaboration of thematic and conceptual content for an entertainment program - quiz, talk show, show program
V week lecturesAnalysis of a creative idea template on existing templates
V week exercisesSubmission of proposals and synopses for series within the entertainment program
VI week lecturesNarrative forms of TV series
VI week exercisesAnalysis of narrative forms of TV series using examples
VII week lecturesGenres TV series
VII week exercisesExamples of genre-specific TV series; Analysis and discussion
VIII week lecturesTV series - dramatic structure
VIII week exercisesIdeas, proposals for a TV series with a dramatic structure
IX week lecturesTV series - sitcom
IX week exercisesDiscussing ideas for a sitcom
X week lecturesPilot episode
X week exercisesAdoption of synopsis for writing the pilot episode of series with a dramatic structure and sitcom
XI week lecturesThe main character of a sitcom and the main character of a TV series with a dramatic structure
XI week exercisesStoryline of the pilot episode of the drama series
XII week lecturesThe dramatic arc of the series
XII week exercisesThe storyline of the pilot episode of the sitcom
XIII week lecturesThe central point of the narrative of the TV series
XIII week exercisesTreatment of the pilot episode of the drama series
XIV week lecturesSItcom (rules, types)
XIV week exercisesTreatment pilot episode of the sitcom
XV week lecturesTV series Dialog
XV week exercisesThe script of the optional pilot episode
Student workloadSunday 5 credits x 40/30 = 6 hours and 40 minutes Structure: 2 hours of lectures 2 hours of exercises 2 hours and 40 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations in the semester Lessons and final exam: (6 hours and 40 minutes) x 16 = 106 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (6 hours and 40 minutes) = 13 hours and 20 minutes Total workload for the course: 5 x 30 = 150 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 106 hours and 40 minutes (teaching) + 13 hours and 20 minutes (preparation) + 30 hours (additional work)
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations Regular attendance at classes; Continuous practical work
ConsultationsEvery week
LiteratureTelevision – David McQueen; Clio 200; Lexicon of film and TV terms; Film Institute. Ivan Cury - Directing and Producing for television: format approach; focal press 1998; Television series, Jean-Pierre Eskenazi
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / CREATIVE WRITING FOR TV FORMATS AND SERIES II

Course:CREATIVE WRITING FOR TV FORMATS AND SERIES II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11047Obavezan652+2+0
ProgramsFILM AND MEDIA
Prerequisites The course is conditional upon passing the course Creative Writing for TV Formats and Series I
Aims Development of ideas and synopses for certain TV genres; Development of scripts for TV series; scenario-based production approach to proposed projects within TV genres
Learning outcomes After passing the exam in the course Creative writing for TV formats and series II, the student will be able to understand the screenwriting approach to proposed projects within the framework of TV genres, as well as to create a script for a TV series based on his own idea.
Lecturer / Teaching assistantDoc.mr Jovana Bojović
MethodologyScreenwriting workshop method; Work in progress
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesTV series - screenplay premises through different genre structures
I week exercisesWriting a synopsis for eight episodes of a TV series (dramatic arc)
II week lecturesSoap series-telenovela screenplay premises, analysis and examples
II week exercises Writing eight individual synopses for a TV series
III week lecturesAnalysis of creative writing (character difference) as a prerequisite for sitcom and comedy
III week exercisesWriting character biographies; Exercise "What was before?" and "What will be next?"
IV week lecturesCrime TV series. Premises, examples
IV week exercisesWriting eight individual stories for a TV series
V week lecturesAnalysis of creative writing in 4 acts - prerequisite for drama series
V week exercisesWriting treatment for the first and second episodes
VI week lectures"Cliffhanger" ending episode
VI week exercisesWriting treatment for the third and fourth episodes
VII week lecturesThe central point of the drama arc of the TV series - the main conflict
VII week exercisesWriting treatment for the fifth and sixth episodes
VIII week lecturesDialogue and TV series; The relationship between genre and dialogue
VIII week exercisesWriting treatment for the seventh and eighth episodes
IX week lecturesDialogue and script style of the TV series
IX week exercisesWriting the script for the first and second episodes
X week lecturesThe context of the TV series
X week exercisesWriting the script for the third and fourth episodes
XI week lecturesThematic and conceptual framework of the TV series
XI week exercisesWriting the script for the fifth and sixth episodes
XII week lecturesScreenplay-production packaging of a TV project - approach to format and audience
XII week exercisesWriting the script for the seventh and eighth episodes
XIII week lecturesExam simulation - First part
XIII week exercisesPublic reading of the first three episodes of the TV series
XIV week lecturesExam simulation - second part
XIV week exercisesPublic reading of the fourth, fifth, sixt episodes
XV week lecturesExam simulation - third part
XV week exercisesPublic reading of the seventh and eighth episodes
Student workloadSunday 5 credits x 40/30 = 6 hours and 40 minutes Structure: 2 hours of lectures 2 hours of exercises 2 hours and 40 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations in the semester Lessons and final exam: (6 hours and 40 minutes) x 16 = 106 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (6 hours and 40 minutes) = 13 hours and 20 minutes Total workload for the course: 5 x 30 = 150 hours Supplementary work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 106 hours and 40 minutes (teaching) + 13 hours and 20 minutes (preparation) + 30 hours (additional work)
Per weekPer semester
5 credits x 40/30=6 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
2 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
6 hour(s) i 40 minuts x 16 =106 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
6 hour(s) i 40 minuts x 2 =13 hour(s) i 20 minuts
Total workload for the subject:
5 x 30=150 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
30 hour(s) i 0 minuts
Workload structure: 106 hour(s) i 40 minuts (cources), 13 hour(s) i 20 minuts (preparation), 30 hour(s) i 0 minuts (additional work)
Student obligations Regular attendance at classes; continuous practical work
ConsultationsEvery week
LiteratureTelevision – David McQueen : Clio 2000; Ivan Cury - Directing and producing for Television: format approach: Focal press 1998; Evan C. Smith – Writing television sitcoms; A Perigee Book 1999. Screenplay for film and TV - Luis Herman; Žan Pierre Eskenazi - Television series; Clio 2013
Examination methodsContinuous verification of practical works, final exam
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / EDITING III

Course:EDITING III/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11048Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims Introduction to advanced articulations in editing in audiovisual media, as well as the basics of the technical process in post-production.
Learning outcomes After passing the exam in the subject Editing III, students will be able to understand, recognize, and apply editing articulations of specific editing structures, comprehend the basic characteristics, elements, and terminological framework of film and TV editing, as well as editing in other new audiovisual media. They will explain the role of acoustic symbols, namely the emotional and dramaturgical role of acoustic effects in film and TV editing; they will recognize and understand the specifics of the basic phases in the post-production process; they will identify contemporary technological and aesthetic editing trends and understand their development and role.
Lecturer / Teaching assistantdoc. mr Dusan Vulekovic
MethodologyLectures, homework assignments, consultations
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesFilm rhythm, internal and external rhythm
I week exercises
II week lecturesRhythm of the audiovisual arrangement of editing accents
II week exercises
III week lecturesSound composition, speech, music, effects, silence
III week exercises
IV week lecturesAnalysis of film examples
IV week exercises
V week lecturesHistory of editing 3
V week exercises
VI week lecturesSubversive editing
VI week exercises
VII week lecturesAssociative editing
VII week exercises
VIII week lecturesEditing articulations
VIII week exercises
IX week lecturesAnalysis of editing articulation
IX week exercises
X week lecturesConnecting visually heterogeneous frames based on their conceptual, illustrative value
X week exercises
XI week lecturesConnecting editing-discontinuous frames based on their visual-emotional value
XI week exercises
XII week lecturesEditing of documentary film 2
XII week exercises
XIII week lecturesElements of the post-production process in AV media
XIII week exercises
XIV week lecturesVisual style and post-production, color grading, visual effects
XIV week exercises
XV week lecturesPractical work
XV week exercises
Student workloadWeekly 3 credits x 40/30 = 4 hours Structure: 2 hours of lectures 0 hours of exercises 2 hours of individual student work (preparation for laboratory exercises, quizzes, homework) including consultations per semester Teaching and final exam: (4 hours) x 16 = 64 hours Necessary preparation before the start of the semester (administration, enrollment, verification): 2 x (4 hours) = 8 hours Total workload for the subject: 3 x 30 = 90 hours Additional work for exam preparation in the reexamination period, including taking the reexamination, from 0 to 30 hours. Workload structure: 64 hours (teaching) + 8 hours (preparation) + 18 hours (additional work)
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations Students are required to attend lectures, exercises, complete homework assignments, and take exams
Consultations
LiteratureRequired literature: M. Babac - "Jezik montaže pokretnih slika", A. Dimitrijević - "Gladak rez", D. Eridžon - "Grammar of Film Language" Additional literature: M. Jokić "Očaravanje uha", Steve Hullfish "Art of the Cut", Don Fairservice "Film Editing, History, Theory and Practice - Looking at the Invisible", Group of authors - "Lexicon of Film and TV Terms", Walter Murch "In the Blink of an Eye"
Examination methodsParticipation and activities in exercises, workshops, and discussions - 20 points Completion of exercises and seminar work - 30 points (10+20) Final exam - 50 points / TOTAL 100 - passing grade is obtained if the number of points during the semester is 51 or higher.
Special remarksClasses may be conducted in English.
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / EDITING IV

Course:EDITING IV/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11049Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims Students should become acquainted with working in digital platforms in audiovisual post-production, familiarize themselves with image and sound processing through practical work. They will explore different stylistic approaches in editing depending on the type of scene. They will use modern creative technologies and expressions in editing.
Learning outcomes After passing the exam in Editing IV, female and male students will be able to recognize, understand, and utilize stylistic devices in editing. They will recognize and understand the specific editing articulations of scene types in various film and TV genres, as well as in contemporary digital and web audiovisual environments. They will identify different definitions and classifications of editing from technical, associative, and dramaturgical aspects; they will thoroughly understand and use elements of editing punctuation in analysis and their own work on exam films. They will be familiar with contemporary technological editing systems.
Lecturer / Teaching assistantdoc. mr Dusan Vulekovic
MethodologyLectures, consultations, homework assignments, exams
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesStylistic devices in editing: ellipsis, metaphor, allegory, metonymy, synecdoche, euphemism
I week exercises
II week lecturesLeitmotif editing
II week exercises
III week lecturesExposition of dramatic characters and editing
III week exercises
IV week lecturesPerspective, protagonists position
IV week exercises
V week lecturesOpening scenes/sequences
V week exercises
VI week lecturesDialogue scenes
VI week exercises
VII week lecturesMusical scenes
VII week exercises
VIII week lecturesAction scenes
VIII week exercises
IX week lecturesPsychological and introspective scenes
IX week exercises
X week lecturesMontage sequences
X week exercises
XI week lecturesEditing of documentary film 1, practical work
XI week exercises
XII week lecturesEditing of documentary film 2, practical work
XII week exercises
XIII week lecturesPlanning editing articulation of authorial works in pre-production
XIII week exercises
XIV week lecturesCreative editing
XIV week exercises
XV week lecturesGlitch / data moshing
XV week exercises
Student workloadWeekly 3 credits x 40/30 = 4 hours Structure: 2 hours of lectures 0 hours of exercises 2 hours of individual student work (preparation for laboratory exercises, quizzes, homework) including consultations per semester Teaching and final exam: (4 hours) x 16 = 64 hours Necessary preparation before the start of the semester (administration, enrollment, verification): 2 x (4 hours) = 8 hours Total workload for the subject: 3 x 30 = 90 hours Additional work for exam preparation in the reexamination period, including taking the reexamination, from 0 to 30 hours. Workload structure: 64 hours (teaching) + 8 hours (preparation) + 18 hours (additional work)
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations Students are required to attend lectures, exercises, complete homework assignments, and take exams
Consultations
LiteratureRequired literature: M. Babac - "Jezik montaže pokretnih slika", A. Dimitrijević - "Gladak rez", D. Eridžon - "Grammar of Film Language" Additional literature: Steve Hullfish "Art of the Cut", Don Fairservice "Film Editing, History, Theory and Practice - Looking at the Invisible", Group of authors - "Lexicon of Film and TV Terms", Walter Murch "In the Blink of an Eye"
Examination methodsParticipation and activities in exercises, workshops, and discussions - 20 points Completion of exercises and seminar work - 30 points (10+20) Final exam - 50 points / TOTAL 100 - passing grade is obtained if the number of points during the semester is 51 or higher.
Special remarksClasses may be conducted in English.
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / MEDIA CULTURE AND PRODUCTION

Course:MEDIA CULTURE AND PRODUCTION/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
11701Obavezan172+2+0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
7 credits x 40/30=9 hours and 20 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
2 excercises
5 hour(s) i 20 minuts
of independent work, including consultations
Classes and final exam:
9 hour(s) i 20 minuts x 16 =149 hour(s) i 20 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
9 hour(s) i 20 minuts x 2 =18 hour(s) i 40 minuts
Total workload for the subject:
7 x 30=210 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
42 hour(s) i 0 minuts
Workload structure: 149 hour(s) i 20 minuts (cources), 18 hour(s) i 40 minuts (preparation), 42 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO DRAMATURGY I

Course:INTRODUCTION TO DRAMATURGY I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
13232Izborni322++0
ProgramsFILM AND MEDIA
Prerequisites The subject is not conditioned by taking other subjects
Aims Mastering the practical and theoretical foundations of dramaturgy. Adoption of professional tools for analytical evaluation of dramatic text.
Learning outcomes After passing the exam in the Basics of Dramaturgy course, male and female students will be able to: - They understand the techniques of drama and the setting of a dramatic story, the structure and means of establishing the structure - They understand and articulate the dramatic character and dialogue and dramatic situation - They will learn the setting of a dramatic text according to Freitags pyramid
Lecturer / Teaching assistantAsst. Aleksandar Radunovic, MSc
MethodologyLectures on drama technique, exercises as an introduction to dramatic writing, corrections.
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesDefining the term and subject of dramaturgy, defining the subject of dramaturgy
I week exercisesConversation with students about the concept and subject of the basis of dramaturgy, presentation of views
II week lecturesThe relationship between prose and dramatic work. Peculiarities of dramatic writing
II week exercises Analysis - drama and novel, differences and similarities, examples
III week lecturesAristotles Poetics as a basic work of instruction in dramatic technique
III week exercisesAnalysis: the concept of imitation, Aristotles definition of the concept of tragedy and the tragic
IV week lecturesPlot of events, dramatic story, introductory lecture
IV week exercisesAnalysis - scope of events and dramatic story, probably and possibly
V week lecturesDramatic characters - concept of character, setting of character
V week exercisesConversation with students about creating character exercises, presentation of proposals
VI week lecturesDialogue - types, lecture
VI week exercisesConversation with students about Creating a dramatic dialogue, presenting a proposal
VII week lecturesDramatic situation, types of dramatic situations
VII week exercisesA conversation with students about writing a potential dramatic situation
VIII week lecturesFreitags pyramid, peculiarities and necessity
VIII week exercisesPreparation of the exercise - analysis of the dramatic work according to the elements of Freitags pyramid
IX week lecturesPragmatic diagonal
IX week exercisesWork on the Frejtag pyramid exercise, corrections
X week lecturesFragmentary dramaturgy, types
X week exercisesWork on character and dialogue exercises, corrections
XI week lecturesDramatization and adaptation of a dramatic work, types and methods
XI week exercisesWorking with backward exercises
XII week lecturesTheater criticism - lecture, necessity of theater criticism
XII week exercisesDiscussion with students about writing theater reviews, adoption of proposals, discussion about the plays seen.
XIII week lecturesColloquium: oral test of knowledge in the theory of drama technique
XIII week exercisesDiscussion on the results of the colloquium
XIV week lecturesReview of post-Aristotelian dramatic poetics
XIV week exercisesAdoption of exam tasks
XV week lecturesReview of assigned exercises
XV week exercisesCorrections, analysis, preparation for the exam
Student workloadWeekly 2 credits x 40/30 = 2 hours and 40 minutes Structure: 2 hours of lectures 0 hours of practice 0 hours and 40 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations In the semester Lessons and final exam: (2 hours and 40 minutes) x 16 = 42 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (2 hours and 40 minutes) = 5 hours and 20 minutes Total workload for the course: 2 x 30 = 60 hours Additional work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 42 hours and 40 minutes (teaching) + 5 hours and 20 minutes (preparation) + 12 hours (additional work)
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations Attending drama technique classes, writing exercises, active participation in discussion analyzes of dramatic works resulting from exercises and classes
Consultations
LiteratureLiterature: mandatory - FUNDAMENTALS OF DRAMA TECHNIQUES, Lubisa Djokić. THE CREATION OF THE DRAMA, F. Archer, POETICS, Aristotle, 200,000 DRAMATIC SITUATIONS-Etienne Surio, ON TRAGEDY; additional - Jovan Hristić, DRAMATIC DIRECTIONS OF THE 20TH VIJEKA, S. Selenić, Tomislav Zajec – Game Rules, VBZ Zagtreb, Goran Stefanovski – The Little book of traps (Sterijino pozorje 2012)
Examination methodsPractical work in teaching; theoretical teaching; tests, essays, colloquiums; public presentation of student works; Final exam: oral defense of written exam tasks Attendance in class: max 20 points; tests, essays, colloquiums: max 30 points; final exam: max 50 points In order to pass the exam, the student must accumulate a minimum of 51 points.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / INTRODUCTION TO DRAMATURGY II

Course:INTRODUCTION TO DRAMATURGY II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
13233Izborni422++0
ProgramsFILM AND MEDIA
Prerequisites The subject is not conditioned by taking other subjects
Aims Mastering the practical and theoretical foundations of dramaturgy. Adoption of professional tools for analytical evaluation of dramatic text.
Learning outcomes After passing the exam in the course Fundamentals of Dramaturgy II, male and female students will be able to: - They understand the techniques of drama and the setting of a dramatic story, the structure and means of establishing the structure - They understand and articulate the dramatic character and dialogue and dramatic situation - They will learn the setting of a dramatic text according to Freitags pyramid.
Lecturer / Teaching assistantAssistant Professor Aleksandar Radunović, M.Sc
MethodologyLectures on drama technique, exercises as an introduction to dramatic writing, corrections
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lecturesThe first version of the dramatic text.
I week exercises
II week lecturesAnalyzes of the first version of the dramatic text
II week exercises
III week lecturesPractical work on finishing the first version of the dramatic text
III week exercises
IV week lecturesAnother version of the dramatic text.
IV week exercises
V week lecturesAnalysis of the second version of the dramatic text.
V week exercises
VI week lecturesPractical work on finishing the second version of the dramatic text.
VI week exercises
VII week lecturesTheoretical work: research work in preparation of a theoretical work
VII week exercises
VIII week lecturesPractical work on finishing the second version of the dramatic text
VIII week exercises
IX week lecturesTheoretical paper: the first versions of the theoretical paper
IX week exercises
X week lecturesAnalyzes of theoretical papers.
X week exercises
XI week lecturesThe third version of the dramatic text
XI week exercises
XII week lecturesAnalysis of the third version of the dramatic text.
XII week exercises
XIII week lecturesPractical work on finishing the third version of the dramatic text
XIII week exercises
XIV week lecturesPractical work on making the final version of the play.
XIV week exercises
XV week lecturesAdoption of exam tasks
XV week exercises
Student workloadWeekly 2 credits x 40/30 = 2 hours and 40 minutes Structure: 2 hours of lectures 0 hours of practice 0 hours and 40 minutes of individual student work (preparation for laboratory exercises, colloquiums, homework) including consultations. In the semester Lessons and final exam: (2 hours and 40 minutes) x 16 = 42 hours and 40 minutes Necessary preparation before the beginning of the semester (administration, registration, certification): 2 x (2 hours and 40 minutes) = 5 hours and 20 minutes Total workload for the course: 2 x 30 = 60 hours Additional work for exam preparation in the make-up exam period, including taking the make-up exam from 0 - 30 hours. Load structure: 42 hours and 40 minutes (teaching) + 5 hours and 20 minutes (preparation) + 12 hours (additional work).
Per weekPer semester
2 credits x 40/30=2 hours and 40 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
0 hour(s) i 40 minuts
of independent work, including consultations
Classes and final exam:
2 hour(s) i 40 minuts x 16 =42 hour(s) i 40 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
2 hour(s) i 40 minuts x 2 =5 hour(s) i 20 minuts
Total workload for the subject:
2 x 30=60 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
12 hour(s) i 0 minuts
Workload structure: 42 hour(s) i 40 minuts (cources), 5 hour(s) i 20 minuts (preparation), 12 hour(s) i 0 minuts (additional work)
Student obligations Attending drama technique classes, writing exercises, active participation in discussion analyzes of dramatic works resulting from exercises and classes
Consultations
LiteratureLiterature: mandatory - FUNDAMENTALS OF DRAMA TECHNIQUES, Lubisa Djokić. THE CREATION OF DRAMA, F. Archer, POETICS, Aristotle, 200,000 DRAMATIC SITUATIONS-Etjen Surio, ON TRAGEDY, Jovan Hristić, DRAMATIC TRENDS OF THE 20TH CENTURY, S. Selenić; additional: Tomislav Zajec – Rules of the game, VBZ Zagtreb, Goran Stefanovski – Little book of traps (Sterijino pozorje 2012)
Examination methodsPractical work in teaching; theoretical teaching; tests, essays, colloquiums; public presentation of student works; Final exam: oral defense of written exam tasks Attendance in class: max 20 points; tests, essays, colloquiums: max 30 points; final exam: max 50 points In order to pass the exam, the student must accumulate a minimum of 51 points.
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / TV PRODUKCIJA I

Course:TV PRODUKCIJA I/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
13858Obavezan532++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points

Faculty of Dramatic Arts / FILM AND MEDIA / TV PRODUKCIJA II

Course:TV PRODUKCIJA II/
Course IDCourse statusSemesterECTS creditsLessons (Lessons+Exercises+Laboratory)
13859Obavezan632++0
ProgramsFILM AND MEDIA
Prerequisites
Aims
Learning outcomes
Lecturer / Teaching assistant
Methodology
Plan and program of work
Preparing weekPreparation and registration of the semester
I week lectures
I week exercises
II week lectures
II week exercises
III week lectures
III week exercises
IV week lectures
IV week exercises
V week lectures
V week exercises
VI week lectures
VI week exercises
VII week lectures
VII week exercises
VIII week lectures
VIII week exercises
IX week lectures
IX week exercises
X week lectures
X week exercises
XI week lectures
XI week exercises
XII week lectures
XII week exercises
XIII week lectures
XIII week exercises
XIV week lectures
XIV week exercises
XV week lectures
XV week exercises
Student workload
Per weekPer semester
3 credits x 40/30=4 hours and 0 minuts
2 sat(a) theoretical classes
0 sat(a) practical classes
0 excercises
2 hour(s) i 0 minuts
of independent work, including consultations
Classes and final exam:
4 hour(s) i 0 minuts x 16 =64 hour(s) i 0 minuts
Necessary preparation before the beginning of the semester (administration, registration, certification):
4 hour(s) i 0 minuts x 2 =8 hour(s) i 0 minuts
Total workload for the subject:
3 x 30=90 hour(s)
Additional work for exam preparation in the preparing exam period, including taking the remedial exam from 0 to 30 hours (remaining time from the first two items to the total load for the item)
18 hour(s) i 0 minuts
Workload structure: 64 hour(s) i 0 minuts (cources), 8 hour(s) i 0 minuts (preparation), 18 hour(s) i 0 minuts (additional work)
Student obligations
Consultations
Literature
Examination methods
Special remarks
Comment
Grade:FEDCBA
Number of pointsless than 50 pointsgreater than or equal to 50 points and less than 60 pointsgreater than or equal to 60 points and less than 70 pointsgreater than or equal to 70 points and less than 80 pointsgreater than or equal to 80 points and less than 90 pointsgreater than or equal to 90 points